The doughboy statue was erected in 1930 and is the work of Arthur Ivone. Like so many military statues, the doughboy features a plaque that expresses hope for peace. The plaque states: “To justice in war and lasting peace after victory.”
Although the statue depicts a soldier in full uniform and battle helmet, standing with a rifle, the soldier is in a curiously unmilitary pose. He stands with one on hand on hip, holding the muzzle of the rifle while the butt rests against the ground. In short, the soldier looks like he is about to do a quick pirouette on a fashion runway, or perhaps a few high kicks in a Parisian can-can line. He would fit easily into the classic Monty Python skit about the dancing British soldiers.
The statute to the south, called “the Spirit of ’98,” is dedicated to veterans of the Spanish-American War, the “Philippine Insurrection,” and the “China Relief Expedition.” The statue is the work of IL Jirush and was erected in 1928. It depicts a ranger leaning forward with his uniform sleeves rolled up past his elbows, one foot on an outcropping of rock, the barrel of his rifle pointed downward, looking intently into the distance from beneath the brim of a floppy field hat.
The plaque on the base of this statue expresses somewhat more martial sentiments than those found on its companion. It refers to “Freedom, Patriotism, Humanity” and includes the quotation “The cause which triumphed through their valor will live.” When the plaque is considered now, decades later, it is not entirely clear what “cause” will live on — unless it is the “cause” of imperialism in which a brawny young country, eager to shoulder its way onto the world stage, briefly engaged.