Last-Second Schott

IMG_3104It was a close game at the Schott tonight — closer than most Buckeyes fans would like, but playing Northwestern, with its high-motion, clock-burning, back-cutting offense, is always tough.  Late in the second half the Buckeyes pulled ahead and then pulled away, courtesy of gutty play by Deshaun Thomas and some thunderous Sam Thompson dunks.  Amir Williams and Lenzelle Smith Jr., pictured above, both played well, as did Shannon Scott and Aaron Craft.

We sat in great seats courtesy of our friends (thanks, Mike and Jo Ann!) and enjoyed a close, hard-fought contest.  The Big Ten is just incredibly tough this year.  Teams have to scrap and claw in every game, so every win should be savored.  Get the W, and now focus on Wisconsin, up next on Sunday afternoon at the always-tough Kohl Center in Madison.

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MONA, MONA

Museums tend to be pretty stodgy places.  Now there’s a museum in Hobart, Australia that is shaking up the dusty museum world.

The Museum of Old and New Art, or MONA, breaks just about every rule we associate with museums.  Instead of an imposing marble structure, it’s housed in a curious building.  Rather than ascending broad steps, you descend several flights of stairs to get to the exhibit floors.  There are no labels or informational signs prepared by curators on the walls of the museum; visitors get an iPod crammed with information about the exhibits and are asked whether they “love” or “hate” each piece.  And the museum has an on-site brewery and vineyard, too.

MONA features eclectic pieces, such as “living” art consisting of fermenting fruit and agar and a piece that replicates a digestive tract and produces, at 2 p.m. daily, a stinky piece of artistic fecal matter.

I’m not sure why anyone would want to see a turd, no matter how artistically it was produced or presented — we get to see them often enough.  But the idea of shaking up the museum world, and presenting art in different settings, is a good one.  I don’t think I’d travel to Hobart, Australia to see MONA, but I’m still kind of glad it’s there.

Hope, In The Form Of A Valentine’s Day Box

When I was in grade school, Valentine’s Day, like Halloween, Christmas Day, and the Last Day of School, was a red-letter day in the Kid Calendar.  It wasn’t just because three of those days involved free candy, either.  Instead, Valentine’s Day was special because you got a tangible indication of your schoolhouse popularity.  For awkward and unpopular kids, it was a nerve-wracking day.

The focus of hope and potential disappointment was your Valentine’s Day card box.  I don’t know whether schools allow them anymore, in this treat-everyone-equally-for-empty-self-esteem-purposes age.  Back in the more rough-and-tumble early ’60s, however, every kid made a Valentine’s Day box and brought it to class.  The boxes were gaily decorated with red tissue paper or leftover Christmas wrapping paper and hearts, cupids, and doilies, and making them was a big deal. One year I used aluminum foil, aiming for a cool, space-age Valentine’s Day tribute to the Gemini astronauts.  Another year, in my quest for a good box, I found one with a flip-top lid in my parents’ closet that would have opened up like an old-fashioned mailbox, rather than requiring you to cut a slot in the top.  I asked my very modest mother if I could use that box for Valentine’s Day, but she snatched it away with horror and said she’d find another.  At the time, of course, I didn’t have a clue about what a tampon was.

While you were working on your box, you also prepared the small cardboard cards made specifically for schoolkid purposes.  They had generic, non-romantic messages and came on a perforated sheet that you separated and put into cheap envelopes that had the worst-tasting glue in the world on the flap.  Usually there were one or two bigger, better cards in the box, too.  These were reserved for that special someone, perhaps with a piece of candy taped to the envelope.

When Valentine’s Day arrived, the boxes and cards were brought to class, and the boxes were lined up in a row on the windowsill.  During the day kids would walk down the box line, putting cards in some boxes but often not others.  As the lunch hour approached, you’d casually find a reason to walk past your box, hoping to see signs that there were envelopes inside.  At the end of the day, though, you’d open the box and see where you really stood with your classmates.  Some boxes were full to bursting, others were empty except for the obligatory card from teacher and cards from the kids whose parents made them give cards to everyone.  I just hoped for something in between.