Yesterday Kish and I visited the Seattle Art Museum — also known as SAM. It’s located smack dab in the middle of Seattle’s bustling downtown, and it’s worth a visit.
I like going to art museums I’m not familiar with, because you’re almost always surprised. Sometimes it’s a good surprise, sometimes it’s not. SAM falls on the positive side of the ledger. It’s a big, sprawling facility, with all kinds of nooks and crannies to explore. Every time you turn a corner, you see something interesting.
During our visit, the displays included an extensive and compelling Joan Miro exhibit — boy, he sure liked to paint birds and women! — and a fabulous and beautiful collection of blown glass objects that included numerous pieces by Dale Chihuly. The museum’s standard collection is impressive and includes an interesting early American section, which blends portraits, landscapes, furniture, and other objects, Italian and French rooms, modern pieces by Jackson Pollock and Mark Rothko, and some whimsical and thought-provoking sculptures, including an untitled piece by American artist Marlo Pascual that featured a ’40s-style glamour shot of an unknown, sad-eyed woman on which a rock had been positioned to look like a hat.
My favorite part of the collection was a large array of indigenous art, including some fantastic masks and costumes and sculptures. The masks in particular were riveting. As I looked at the colorful depictions of serpents and wolves, I thought of the strong connection the indigenous peoples felt to the natural world and how we have largely lost that connection in modern America. Maybe the piece featuring the well-dressed woman with the rock on her head speaks to that, too.