This morning I woke up, walked downstairs, and turned on my JBL Flip 5 device to listen to some music. When I hit the on-off button, I heard the familiar chord and saw the button light up that tells you that you’ve got power, and then when I hit the button that syncs the device with my iPhone, I heard the happy-sounding, rising three-note snippet that told me that the syncing had worked and it was time to make my selection–which I promptly did.
Then I went to my computer, turned it on, and went through the steps of the multi-factor authentication process. When I completed the process, I heard another bright three-note snippet that confirmed I had successfully connected to the system, and I mimicked the tiny fragment of music as I started to look at my email.
These are just three examples of the little snatches of music that often accompany the basic electronic activities of our lives. Virtually every device–from computers to smartphones to refrigerators to video games–uses some combination of music, lights, and text as multi-factor messaging to tell us about our successes or failures. We want to hear the three happy notes that signal accomplishment, rather than the thud of notes that tells us we didn’t do things right. What’s more, we get to the point where we react to the musical cues without a conscious thought. Play the right sequence of notes for me and, like some modern combination of Pavlov’s dog and Nipper, the RCA pooch hearing his master’s voice, I’ll immediately feel the urge to go to Outlook and open up my email.
I like these little snippets of music, which add a little welcome color and dash to our rote daily activities, and I salute the unknown composers who came up with them. I guess I don’t mind that these brief tunes have burrowed into my brain and are effectively urging me to take steps A, B, and C. I do wonder, however, whether the unconscious reactive impulse on hearing these sounds is permanently imprinted on my synapses. I haven’t played Tetris in years, for example, but I can still distinctly remember every note of the Slavic-sounding song that played while you were trying to position the blocks correctly. When I’m in my dotage, if I hear the right three notes, will I still think “it’s email time”?