Hollywood has made tremendous strides in marrying technology and film. First it was in deploying high-end “special effects,” using miniatures and models, such as were found in 2001 and Star Wars, then it was in having computers generate images and entire scenes. More recently, technology has been focused on the human actors, who’ve either been digitally recreated or, as in the recent film The Irishman, de-aged.
Now we’ve apparently reached a new frontier, where filmmakers believe they can literally raise an actor from the dead and, thanks to the miracle of modern computer, give the actor an entirely new career with new roles. And the first actor to be targeted is one of Hollywood’s icons: James Dean.
The moviemakers, acting with the full permission of the Dean family and estate, plan to feed TV footage and still photos of Dean into a computer to create a digital James Dean. (The real James Dean died in 1955 at age 24, after making only three movies, and immediately rose to legend status, including being the subject of an Eagles song.) The digital creation will then be moved from the computer to the movie screen with the help of stand-in actors moving through scenes using the motion-capture technology commonly used in CGI filmmaking, and another actor will supply the voice of the digital “James Dean.”
Digital JD is supposed to make his debut in a Vietnam War drama called “Finding Jack” — which seems like a very weird choice, given how closely the real James Dean is associated with the pre-Vietnam War, leather-jacketed bad boy ’50s. The filmmakers say that they’re not aiming at a one-movie curiosity, but instead hope to give their digital creation an entirely new career that will revive interest in an actor who has been dead for more than 60 years.
Some people are rightly reacting with horror to this effort, which seems desperate and ghoulish. But it may be the wave of the future in increasingly cash-conscious Hollywood. Some studios may think: why worry about developing and casting new acting talent if you can revive Humphrey Bogart, John Wayne, Lucille Ball, and other stars of the past, draw upon their established personas, and avoid dealing with real-life actors’ huge salaries and huge egos?
I’m not a fan of this effort, but I’m also not sure it will work. James Dean may have been an iconic figure for a particular generation, but how many people under, say, 60 even know about him or have any interest in the films he actually made? Fame is pretty fleeting in today’s Netflix world, and I’m not sure that the ghosts of stars of the past are going to fit in.