Goodbye To Sir George

630305_01Sir George Martin died on Tuesday at age 90.  Though he had a long and accomplished career in music, he will forever be remembered as the Beatles’ producer — and therefore as a giant in the history of popular culture.

Martin’s first interactions with the Beatles are the stuff of music legend.  The Beatles, fresh from long stints in Hamburg clubs, had just experienced the departure of Stu Sutcliffe and had replaced Pete Best with Ringo Starr; their first efforts to get a recording contract had ended in failure.  Martin, a classically trained musician who studied piano and oboe, was working as a producer for the struggling Parlophone label, which specialized in classical music.  When Martin first listened to the Beatles’ music, he was not impressed — but there was something there, and Parlophone was desperate to break into the rock music market, so the band was signed.

the-beatles-george-martin-the-beatles-33432395-400-400The rest, as they say, is history.  Martin struck up a good relationship with John Lennon, Paul McCartney, George Harrison, and Ringo Starr, and he respected the wishes of McCartney and Lennon to become real songwriters, not just performers.  He listened to their songs, made crucial suggestions, and Martin and the Beatles quickly developed a relationship of collaborative creativity that produced some of the greatest popular music ever recorded.

Please Please Me, the first album the Beatles recorded with Martin, is a terrific rock and roll album that captured an almost live music feel and showed Martin’s technical recording skills.  Listen to the irresistible Twist and Shout, with the band’s tight, chunking rhythms, John Lennon’s hoarse vocals, McCartney’s soaring screams, and Ringo’s ashcan drumming at the end, and you’ll hear a masterful exercise in recording.  From there, it was a line of hits that steadily and inexorably stretched, and stretched, and stretched the boundaries of popular music, with Martin suggesting strings here and a sitar there, speeding up sections of songs, recording feedback and backward music, and eventually producing the ground-breaking Sergeant Pepper’s Lonely Hearts Club Band album.  But while others might focus on the lushly produced songs, like Yesterday or Strawberry Fields Forever, we shouldn’t forget that Martin was brilliant at the basics and knew when avoiding a cloying, over-produced sound was just as important.  A Hard Day’s Night, from the taut opening guitar chord of that song to the end of the album, still remains one of the greatest rock albums ever released.

I’ve written often about music generally and the Beatles specifically.  They were extraordinary talents, but it was people like George Martin who helped them to produce magic and beauty, songs that touch you deeply and songs that make you want to dance in a sweaty crowd and songs that make even the vocally challenged among us want to sing out loud.  Sir George Martin was part of something tremendous that will live on for years.  He will be celebrated in his passing, and justifiably so.

More Of The Monkees

I’ve been working on the months-long task of rebuilding my iPod after my old iPod crashed.  I began with artists whose name starts with A and I’ll keep going until I reach ZZ Top.  I’ve just gotten to the middle of the Ms, and I’ve realized — again — how much I enjoy listening to The Monkees.

What can I say?  I’m a child of the ’60s.  I remember watching The Monkees TV show when I was a kid, thinking it was funny, and liking the music.  My sister, along with most girls, liked Davy Jones.  My favorite Monkee was Mickey Dolenz.  Some of my friends liked Peter Tork because he was funny; others liked Mike Nesmith because he always wore a stocking cap with a yarn ball on top.  I didn’t care that people said the Monkees didn’t play the instruments on their records, and I didn’t care that the TV show was silly gags combined with a shameless rip-off of The Beatles in Help! and A Hard Day’s Night.

When The Monkees went off the air I continued to buy and listen to their records. I listened to them in college in the ’70s, when Monkees tunes were among the most popular played at our Omnibus dance parties.  And I think their music still holds up today.  Unlike the hits of Bobby Sherman, or The Partridge Family, or other pre-packaged TV/music crossovers, The Monkees songs were high-quality pop, salted with a bit — and just a bit — of the psychedelic edginess that characterized lots of ’60s music.  Songs like Last Train to Clarksville, I’m A Believer, and Pleasant Valley Sunday remain great tracks.

My favorite Monkees tune is Tomorrow’s Gonna Be Another Day, from their debut album.  The YouTube clip of the TV show video of the song portrays the zany, antic Monkees in full A Hard Day’s Night rip-off mode, but the song is still a classic: