Some time in the distant past, someone designed, for the first time, a hotel lobby with a towering atrium and glass elevators and concrete walkways that allowed you to look down on other patrons far below. It apparently was a hugely successful design, because it has been copied again, and again, and again. My current hotel is just another example.
So many hotel interiors have that interior atrium design that the look has become generic, giving business travel a kind of mind-numbing sameness. It’s one big reason why I like to stay in old hotels if I have that option. At least the old hotels tend to have a dash of individuality and flair.
I’m not a huge fan of the open atrium design of some modern hotels, with their enormous open central spaces, the glass-walled elevators zipping up and down, and the faint susurrus of lobby conversation wafting up through the cavernous atrium to the floors high above. I think the design is disorienting.
But, if you like sharp angles and geometric precision in the interior of your hotel, the open atrium approach is about as good as it gets. These are hotels that appear to have been designed through use of compass, protractor, and slide rule. You can imagine the architect carefully calibrating the intersecting lines in the floor plan, and efficiency-oriented engineers reveling in the exacting measurements and crisp, ordered, no-frills appearance.
My eighth grade geometry teacher would have loved this place.