Over the weekend I finished Michael Connelly’s The Law Of Innocence. It’s the latest in his series of books about Mickey Haller, the “Lincoln Lawyer” who represents all manner of criminal defendants and manages his law practice from the back seat of his Lincoln automobile.
It’s a good read. I like Connelly’s spare, reportorial writing style and plotting and could probably be entertained reading a grocery list so long as he wrote it. But what’s really interesting about this book, which is set in late 2019 and early 2020 and was published at the end of 2020, is how Connelly skillfully, and realistically, weaves in references to the looming COVID crisis. The reader, and the book’s characters, catch occasional glimpses of the coming pandemic in the far background of the main story, which involves Haller defending himself against a phony murder rap. Every once in a while there will be a reference to what was happening with sick people in China, or Seattle–and the reader remembers their own initial, occasional awareness of the COVID virus during that pre-lockdown period, and knows in the pit of their stomach what is coming, even if Mickey Haller and the book’s other characters don’t.
I don’t know how many other works of fiction have been published where the COVID pandemic plays a role; I suspect that with The Law Of Innocence Michael Connelly, who writes produces books regularly to the delight of his grateful fans, has published one of the first ones. I’m confident it won’t be the last. Fiction is shaped by what’s going on in the world, and the COVID pandemic is bound to produce a lot of books. Who knows? Perhaps one day literature professors will be debating which book should be viewed as the great COVID pandemic novel.