Ready For Rhapsody

Last night Richard, Julianne, Kish and I went to the Columbus Symphony for the latest installment of the American Roots Festival series.  This performance was at the Southern Theater, a beautiful, more intimate venue than the mighty Ohio Theater, and featured engaging guest conductor Donato Cabrera and wonderful pianist Thomas Lauderdale.

IMG_4826It was a great program and will be performed again at 8 p.m. tonight.  It began with Dvorak’s delightful Humoresque, Op. 101, No. 7, written when he was visiting the United States, which set the evening’s theme — American-inspired music, with jazz and ragtime influences.  Highlights for me were Scott Joplin’s Overture to Treemonisha and Kurt Weill’s Little Threepenny Music, both of which I had not heard before.  I also liked the recomposition of the orchestra from piece to piece as the composers added a banjos and large saxophone section, and gave the bassoonists a moment in the sun as they sought to capture an American sound.

According to the program the night was to end with Stravinsky’s Scherzo a la russe, but Maestro Cabrera announced during the performance that the order had been changed to close with George Gershwin’s Rhapsody in Blue.  This was a very wise decision, because it’s hard to imagine any piece following last night’s performance of Gershwin’s opus.

Last night was the first time I’ve seen the Rhapsody performed live, and I’ll never think of that music in the same way again.  From the meandering wail of the clarinet that opens the piece, to the beautiful melodies that pop up unexpectedly and are tied together at the end, to the piano trills and fills that give Rhapsody in Blue its spine, the visual aspect of the performance will be forever fixed in my mind.  Thomas Lauderdale is a consummate showman, and he gave his grand piano a workout that brought every bit of sound and texture from the instrument.  It was, in a word, epic.  See it if you have the chance!

Advertisements