Suspensions, the exhibition of sculptures by Jerzy Jotka Kedziora at Schiller Park, was supposed to end in March 2020 — about the time the coronavirus turned our little corner of the world upside down. Whether it is due to COVID-19 issues or because people like me just enjoy them, the exhibition has been extended and the hanging sculptures are still there to be appreciated.
The sculpture above has attracted a lot of attention from passersby who have noticed that the strap on the one ring is unattached and are worried the sculpture needs repair. But that’s actually the whole point of this piece, which is called Broken Circle. The Friends of Schiller Park, which sponsored this exhibition, received so many inquiries about the sculpture they put up a sign with the artist’s explanation of the piece: “With one wheel severed, the gymnast is able to maintain the hard-to-explain position. I want viewers to interact with my sculptures, even if it is simply the viewer’s fear that the sculpture may fall.”
I am struck by Kedziora’s notion of the gymnast being “able to maintain the hard-to-explain position.” That seems like a pretty apt description of what many people have done in trying to keep their lives, and their family’s lives, in order in the face of a pandemic and the other issues that have made 2020 such a surreal year. If you’re one of the Moms, Dads, helping out grandmothers or grandfathers, stay-at-home workers, remote schoolers, masked health care workers, or countless other people who have been able to “maintain the hard-to-explain position” in the face of a broken circle and innumerable daily challenges, I salute you. Like the gymnast, you’ve survived the impossible.
It’s interesting how changes in the world can affect your impression of art, and vice versa.