The Monkees, Redacted

The Federal Bureau of Investigation has been in the news a lot lately. Many on the right think the FBI has recently become politicized–but the reality is that the agency has been involved in investigations of political matters for decades, ever since it was asked to look into loosely defined “subversives” back in the 1930s. Back in the J. Edgar Hoover days the FBI collected information on Martin Luther King, the civil rights movement, anti-war protests, and . . . the Monkees.

What a second–the Monkees? The zany, made-for-TV rock band that had a brief but memorable TV show, produced a series of number 1 albums, were a sensation among teenagers, and incidentally recorded some great rock music that still stands up? The FBI investigated those guys?

It did. According to the FBI’s “Vault” webpage–which, if you’re interested, allows you to search for FBI records on line–the agency has two records about the rock band: “a 1967 Los Angeles Field Office memorandum on anti-Vietnam war activities and a second document redacted entirely.” The 1967 field office memorandum was released to the public about ten years ago, and is very heavily redacted. (You can see the original report, in its redacted form, here.) The unredacted portion reports on a concert the Monkees gave in which photographs were broadcast on a screen behind the band that a redacted informant considered to be “left-wing intervention of a political nature”–which in reality reflected what was actually going on at the time, like racial rioting and protests against the war in Vietnam.

Now Mickey Dolenz, the last surviving member of the Monkees, is suing to try to get the FBI to release the full records about the band. The lawsuit seeks “any records the FBI created and/or possesses on the Monkees as well as its individual members.”

In the grand scheme of what is going on in the world, trying to determine what information the FBI collected about the Monkees is a small thing, but it also raises a big point about transparency and getting a fuller accounting of the FBI’s activities over the years. It’s hard to believe that the document from the Monkees’ FBI file that was released in 2011 merited the heavy redaction it received; what kinds of information could it possibly contain that would reasonably need to be kept secret, decades later? Now that another ten years have passed, there is even less cause for continuing secrecy. I’m hoping the lawsuit is successful and we get to see what the FBI considered so important and secretive. Perhaps the lawsuit, and the reaction to any documents that are released as a result of it, will cause a reassessment of the agency’s actions and, particularly, its continuing, overly aggressive redaction of documents that the public actually has a right to see.

The ’60s Play On

As I was reflecting on what a great year 1972 was for albums, I realized that all of the albums I wrote about are still an active part of American popular culture, 50 years later. If you go to any large American city, rent a car, and then try to find a radio station, you’ll scroll past multiple options that play “classic rock,” where you’re likely to hear a song from one of those 1972 albums–and for that matter any rock ‘n roll songs that have been recorded since the British invasion in 1964. People of all ages listen to those stations, advertisers pay money to advertise on them, and the musicians who recorded the songs, in many cases, are still touring and playing those same songs, decades later.

That’s odd, when you think about it. Fifty years is an incredibly long time for a musical genre to remain at the forefront of American culture. If you went back to the ’20s, fifty years before that magical year of 1972, the dominant form of music featured crooners like Rudy Vallee, shown above, and people danced the Charleston to early forms of jazz. By 1972, however, you couldn’t find a radio station anywhere that played Rudy Vallee tunes, or ragtime, and Rudy Vallee wasn’t touring and playing to packed venues, either. The music of the ’20s had been relegated to the dustbin of history, having given way to “big band” music in the ’30s and ’40s, and lounge singing and early rock ‘n roll in the ’50s. You’re not going to hear those forms of music played on any on-air American radio stations, either (although Sirius XM has ’40s and ’50s stations, if you’d like to hear that music). But once you hit 1964, the ever-changing musical tastes of a considerable portion of the American public stopped changing and became locked in place.

To be sure, punk, rap, and hip-hop have come into being since the ’60s, and “urban” stations provide stiff competition for “classic rock” stations on the radio dial–but the fact that music that is 50 years old is still findable and regularly played on the radio is pretty remarkable. Does that mean that the rock era reached a kind of musical pinnacle and just hasn’t been knocked off the peak–or does it mean that the Baby Boomers and successive generations stubbornly refused to open themselves up to newer forms of music, as their parents and grandparents were willing to do? Perhaps many of us just lack the musical flexibility of earlier generations, who didn’t hold on to Rudy Vallee when Benny Goodman and Duke Ellington came along.

Living In Record TV Time

The ’60s was when people first became concerned about television. Social scientists and commentators railed against the “idiot box” that was turning our brains to mush and converting formerly active, intelligent, inquisitive people into soft, slack-jawed shmoos soaking up whatever mind-numbing offering might appear on their TV set.

Those of us who lived through the ’60s somehow survived our constant exposure to the TV set that had a prominent place in our living rooms. But I’ve got news for you, folks: when it comes to TV, the ’60s was nothing compared to where we are right now. As The Hollywood Reporter noted yesterday, the number of English-language scripted TV shows that are available for viewing in the United States hit an all-time high last year. Across broadcast, cable, and streaming services, in 2021 559 English-language shows were available. That’s 13 percent more than in 2020 and 5 percent higher than the previous record in 2019. And consider this astonishing statistic reported in the THR article: “The total number of scripted shows has more than doubled in the last decade; in 2011 there were 266 scripted series.” What’s more, that 2021 record number doesn’t include any of the non-English-scripted shows that people are watching, like Squid Game or Money Heist.

In short, Americans are literally saturated with TV these days. Unlike the ’60s, when there were only three broadcast channels and one or two snowy UHF options, all of which terminated their broadcasts at some point in the early morning hours, you now could watch programming 24 hours a day, every day–and not even scratch the surface of what is available for viewing. And in the COVID era, it’s become increasingly easy to ditch the masks, slouch back on your couch, and immerse yourself in TV, rather than going out to do anything. I’m sure that part of what is driving the TV production boom is the fact that so many worried people are choosing to stay home rather than venture outside into the scary potential omicron infection zone. Rather than take that risk, why not just camp out and watch the latest hot streaming series?

As I mentioned, those of us who lived through the ’60s somehow avoided the confident predictions that we would become a bunch of brain-dead zombies–at least, I think we did– and hopefully that will prove true, again, in the aftermath of the current TV-soaked period. But it is concerning that TV shows have become such a huge part of our lives, to the point where our voracious appetite for programming is driving the TV production industry to new heights. We’d all be better off if we decided to get off the couch now and then, turn off the TV or computer, and get outside to interact with other living human beings.

Tab Stab

Coca-Cola recently announced that it will stop making Tab diet soda. Coke also announced that it will stop making “ZICO Coconut Water,” “Coca-Cola Life,” and “Odwalla,” none of which I’d ever heard of, much less tasted. But Tab? Tab hits home.

Hearing that Tab is being discontinued is kind of like hearing news of the death of an Hollywood star from long ago who you assumed had died long ago. You feel sad but also somewhat surprised that the person was still around. Not having had a Tab in decades, I assumed that it had gone to the great soft drink graveyard in the sky long ago.

Tab was a staple of the Webner household when I was growing up. Tab was the first diet drink introduced by Coca-Cola, and the first food item of any kind that I remember seeing advertised as a “diet” option. Mom fought a long, desperate twilight struggle to keep her weight down, so Tab was a natural item to add to the family refrigerator. With its kicky, quasi-psychedelic logo and flourescent can, Tab was very much a product of the ’60s. It was made the saccharine as the sugar substitute and became enormously popular in the ’70s, when dieting really took off, but then faded away find after Coke introduced Diet Coke and began pushing that beverage in lieu of Tab.

I’ve quaffed a Tab or two in my lifetime, the most recent time probably being while playing Pong on the Atari system we had in the family room of our split-level house, and I recall it as having a distinctive, almost peculiar taste. Not bad, necessarily, or good, either, for that matter, just . . . distinctive. You got used to it, and some people got almost addicted to it. Tab had its devoted fans who kept the brand alive when most people had forgotten it and it accounted for a tiny fraction of Coke’s total beverage sales. I knew one person who kept cases of Tab in his office and drank one with every lunch, which incidentally consisted of the same sandwich from Subway.

People who crave that unique Tab flavor are very sad these days, and are probably scrambling to use the internet to buy up as much of the product as they can in order to build up a lifetime supply. For the rest of us who lived with Tab long ago, we give a wistful salute to another childhood product that we will see no more.

Back To The ’60s

2020 has been just about the worst year imaginable so far, but over the last few days it has acquired a definite ’60s vibe, too.  With riots happening in the streets of American cities in reaction to the shocking and outrageous death of George Floyd, it’s like 1966 and 1967 and 1968 all over again.  Even middle-of-the-road Columbus has seen its share of disturbances.

636178516108265271-dfpd24221Civil unrest seemed pretty commonplace when I was a kid.  Whether it was “race riots,” Vietnam War protests that got out of hand, reactions to the assassinations of leading figures like Dr. Martin Luther King, or random civil disobedience, smoke in the air and tear gas canisters on the ground were a familiar sight.  Authorities would warn about what might happen during the “long hot summer,” and rioting and looting seemed to occur as a matter of course.  Footage of people throwing Molotov cocktails, smashing windows, and running with armfuls of loot from burning buildings were staples of the nightly TV news broadcasts and morning news shows.  And authorities learned the hard way that when a population gathers in sufficiently large numbers and decides to go on a building-burning rampage, there’s not much you can do about it — without applying overwhelming force and ramping up the tension even further.

Although rioting seemed like an annual occurrence during the ’60s, eventually the riots stopped.  Unfortunately, they left behind areas of gutted buildings and ruined, derelict neighborhoods that in some cases still haven’t recovered, more than 50 years later.  And the small businesses that are typically the focus of the burning and smashing and looting often don’t come back, either.  Drive around modern Detroit if you don’t believe me.

Disturbances happen when people feel that they are being treated unfairly and that they have nowhere to turn for justice.  They protest because they feel its the only way to make their voices heard.  Mix in some people who are looking to gain some cheap thrills and personal advantage from the unrest, and you’ll have looting and arson, too.

The best way to begin to deal with the issue in this case is to let the system work and do justice in the terrible case of George Floyd.  Giving people the feeling that things are getting back to normal, by lifting some of the coronavirus restrictions, might help, too.

Cooking With “Liquid Gold”

We’ve learned a lesson during this shutdown period:  if you are ordering groceries for delivery in order to comply with a mandatory governmental quarantine, you really need to be specific about what you want.  Otherwise, you run the risk that the person who is doing the shopping for you will make a judgment call that might not be what you intended.

We learned this lesson this week when we placed a delivery order and one of the items was “American cheese.”  We were thinking of the Kraft singles for use in grilling cheeseburgers, but what we got instead was a box of Velveeta “liquid gold” cheese — which definitely stirred some childhood memories.

In the Webner household of the ’60s, a brick of Velveeta was a staple of the family refrigerator.  Who doesn’t remember opening up the foil wrapper and gazing at that soft, golden brick still bearing the traces of the foil wrapper that indicated that the cheese had been injected into the packaging in liquid form.  (Presumably, that’s why the package calls Velveeta “liquid gold.”)  Unlike other cheese, Velveeta could not be cut and eaten by hand, unless you wanted to squish the cheese and end up with a thick cheese residue on your hands.  Instead, Velveeta was specifically designed for melting and cooking purposes — like gooey grilled cheese sandwiches, or even more gooey macaroni and cheese.

We haven’t had a brick of Velveeta in the fridge for years, but it doesn’t look like it has changed one bit in the intervening decades.  The packaging and presentation looks the same, although the box now helpfully notes that Velveeta has 50 percent less fat than cheddar cheese.  Back in the ’60s, the fat content of Velveeta — or for that matter any other kind of food in the family fridge or cupboard — was not something that was disclosed, or even considered. 

We’ll be using every ounce of this unexpected brick for cooking, because in the shutdown period, it’s “waste not, want not.”  Yesterday we made scrambled eggs with the “liquid gold,” and it still melts as well as it ever did.  

On The Rocket Ride

Recently I went into a store that had a roped-off area crammed with a bunch of vintage items from the ’50s and ’60s, like a jukebox, a soda bottle machine and some old toys and games.  Two of the most striking items in this modest museum of memories were the rocket ride and the motorboat ride.

In those days virtually every grocery store and five-and-dime had at least one of these rides outside, right near the front door, ready to entice any youngster who was going shopping with Mom.  It might be a space ship, or a motorboat, or a race car or fire engine out there, colorful and gleaming and impossibly tantalizing to the childhood imagination.  It was savvy marketing, directly aimed at the kid.  You’d see the contraption going in and then spend the entire time in the store pestering and begging your Mom to let you ride, saying “please” and “it’s just one dime” a hundred times and promising to be good if she’d just grant you that one request.  Moms must have groaned every time they saw the rocket ride outside a store.

Most times, your Mom would say no and you’d pile back into the station wagon, but once in while your Mom would break down and fish out a dime.  You’d climb in, pretending to be an astronaut or fireman or one of the Hardy Boys in their boat, and grab the wheel.  When your Mom dropped the coin into the slot, the machine would rumble and shake and tilt and turn, the storefront and the parking lot would drop away somehow, and you’d have your two minutes of living a dream while your Mom checked her watch.

Now the rocket rides and motorboats and the small-scale imagination zones they created are gone, and the sidewalks in front of stores are crammed with Redbox kiosks and potted plants and pallets of windshield fluid.

I’m guessing that Moms everywhere had something to do with that unfortunate development.

Calling For Christmas Cookie Recipes — 2019 (II)

The internet is a wonderful thing — at least, some of the time — but sometimes sifting through the mass of available information seems overwhelming.  Run a search for Christmas cookie recipes and you will get an avalanche of hits that leaves you no method, aside from random chance, to pick which website to review.  They all promise to offer favorite recipes that people will love.

That’s where the use of finer search terms become necessary.  I realized this when I happened across a website post that featured the best soft Christmas cookie recipes — just in case you’re baking for the toothless among us who must gum their holiday delicacies.  So this year I did a search for Christmas cookie recipes from the 1960s and ran across a treasure trove of options, including this gem, which is described on yellowed print as “Easy-to-make cookies for those who like a not-too-sweet dessert” that are “good keepers and shippers.”  I’m pretty sure Mom made these, by the way.

Swirl cookies

2017-11-18-holiday-pinwheel-cookies-coloradjusted-7Ingredients:  1 cup soft butter; 1/2 cup sifted confectioners’ sugar; 1 teaspoon vanilla extract; 2 1/2 cups unsifted flour; 1/4 teaspoon salt; red and yellow food coloring

Preheat oven to 375 degrees.  Cream butter, sugar, and vanilla until light.  Stir in flour and salt until well blended, then divide dough in half.

Color one half with 1/4 teaspoon of red food coloring and 7 drops of yellow food coloring.  Leave other half uncolored.  Chill the dough.

Press together one level teaspoon of each color.  Roll into a pencil shape, then form in a coil on the baking sheet.  Bake for 8 minutes at 375 degrees.

Calling For Christmas Cookie Recipes — 2019

Trick Or Treating In The ’60s

We’re getting ready for Beggars’ Night in Columbus, but that’s just part of what has become an increasingly big, and prolonged, celebration of Halloween in America.

In German Village, we’ve already had an adult trick or treat night that gave “grown-ups” a chance to don costumes, act like kids, and go to designated locations where they could have special drinks and eat Halloween food.  If you turn on your TV, you’ll see lots of commercials about preparing special Halloween-themed foods, decorating your house with spiders, fake cobwebs, and other scary stuff, and making or buying elaborate get-ups for your kids.  It all reflects the reality that, every year, Americans spend more and more on Halloween.   

f22c4ef1e347c837bc8f82d4dbf0581aIt was . . . different during the ’60s.  Halloween was almost exclusively a kid’s holiday in those days; I don’t remember adults being very involved or all that interested in participating themselves.   Most of us kids came up with our own costume ideas and made them ourselves, because there weren’t a lot of other options — you could buy a cheap costume from the local store, but it was impossible to see or even breathe in the hard plastic mask with a slit for the mouth and little holes for the eyes that was always of the package, and the flimsy bodysuit part of the costume was ripped to shreds almost immediately unless you stood perfectly still, like the unfortunate kids in the photo above.  After one year where I, too, went as Batman and wandered around with a sweating face, unable to see or make myself heard clearly, I decided that the homemade costume route was definitely the way to go.

I don’t remember much about the costumes I made, except that they were pretty simple.  One year UJ, Cath and I went as three of the four Monkees — I think I was Mickey Dolenz, my favorite Monkee — but our costumes didn’t matter much because it was unseasonably cold for trick or treating that year and Mom made us bundle up to the point you couldn’t see our Monkee outfits, anyway.  One year I was a pirate, one year I donned a jersey and went as a generic “football player,” and another year — I’m embarrassed to admit — I went as a “bum,” putting on some beat-up clothing, a battered hat, and smearing some of Mom’s mascara on my chin to give the appearance of unshaven beard stubble.  The hobo outfit was common in that pre-PC era and was an easy costume to make and blessedly mask-free, but I’m guessing that nobody goes trick or treating as a “bum” these days.

That’s one of the many ways in which Halloween has changed since I was a kid.  One thing that hasn’t changed:  kids still want chocolate to put into their trick or treat sack.  No apples or popcorn balls, please!

First Man

Last night we went to see First Man at the Gateway Film Center. The movie tells the story of Neil Armstrong, from his days as a test pilot flying the X-15 over the California high desert to his work as a NASA astronaut and, ultimately, to his step onto the Moon that indelibly wrote his name into the history books.

It’s a riveting tale, and the movie leaves a powerful impression as it follows two narrative threads — the arc of the lunar space program and the equally compelling story of the impact on families. The film presents the life of the astronauts with intense realism, as they wedge themselves into cramped spaces atop enormous rockets, are routinely shaken to bits even in a successful launch, and have to deal with technical malfunctions that, in Armstrong’s case, left him in a Gemini capsule spinning out of control above the Earth and on the verge of passing out before he discovered a fix. Tragedy and death are an accepted part of the job, and above it all is the sense that the astronauts were playing a key role in an essential national mission. You can’t watch the film without acquiring a new appreciation for the brave and resolute men who were part of the astronaut program.

But the home front tale is just as powerful. There, too, untimely death has a huge impact, and families struggle as husbands and fathers become increasingly absorbed in the mission and are frequently away. The wives shoulder the burden of keeping their families together and moving forward, listening worriedly to the mission control feeds in their suburban homes as TV crews and photographers and reporters jostle on the front lawns, and living with the oppressive reality that, at any moment, their husbands might be killed and there is absolutely nothing they can do about it. The grit and fortitude of wives and mothers were just as crucial to the success of the mission as the courage of the astronauts.

Ryan Gosling is terrific as Neil Armstrong, the buttoned-up and buttoned-down engineer who immerses himself in the mission and strives to keep his emotions in check, and Claire Foy is equally terrific as Janet Armstrong, the pillar of the family who holds it all together. The film is beautifully photographed and the sense of realism is total — from the buttons and switches and configuration of the spacecrafts to the shuddering rocket launches to the desolate lunar surface . . . and to the cans of Budweiser, the TV sets with rabbit ears, and the clothing that were part and parcel of suburban life in the ’60s.

First Man is the best film I’ve seen in a long time; I give it five stars. And as we left the theatre I was struck by the thought that once, this country could come together to try to do great things — and then actually accomplish the mission. I wish we could capture more of that spirit these days.

Hippie Trippie

It’s not often you see a vintage VW minibus these days. I always associate them with the hippies of the late ’60s, when the little VW buses — chronically underpowered and always limping up hills — were covered with painted psychedelic designs, peace symbol stickers, and other forms of folk art.

This bus didn’t have psychedelic designs — although that minty green color is pretty cool — but it did have virtually ever square inch of bumper and top covered with stickers.

If the stickers are any indication, the owner of this nifty rig is not a Trump supporter.

Adam West And The Age Of Innocence

I was sorry to read about the death of Adam West — known to everyone over a certain age as Batman — this past weekend.  West, who was 88, died after battling leukemia.

adam-west-and-burt-ward-i-010Hearing about West’s death made me think, of course, about the Batman TV show that was enormously popular when I was a little kid.  The word that inevitably is used now to describe the show is “campy,” but really it was more about innocence.  Batman was just like a comic book of those days brought to life, with every punch marked by a Pow! or Whammo!, with characters who weren’t dealing with any “real-world” problems, and with a hero who constantly lectured Robin, the Boy Wonder, in an avuncular way, instructing him all on the platitudes about brushing your teeth and eating your vegetables and being a patriotic citizen that we kids were hearing all the time at home from our parents and grandparents.

Sure, the show was played with a wink, and usually Batman gave Robin the benefit of his wisdom as they were using a rope to walk up the side of the wall in an obviously fake way, just before some famous person put their head out of a window in a silly cameo appearance — but the fact is that the platitudes still got stated on network TV by a hero who apparently meant every word, the hero always escaped from whatever devilish contrivance the Joker or the Penguin or the Riddler put him into, and in the end truth and justice and the hero prevailed . . . and nobody really got hurt beyond taking a few punches to the jaw, either.

The show worked because the theme song was cool, the Batmobile was cooler, and Adam West played Batman right down the line, delivering his homilies and interacting with Commissioner Gordon and even the Catwoman with straight-faced earnestness — presaging the career of Leslie Nielsen playing hilarious deadpan characters in Airplane! and the Naked Gun movies.  West was perfect for the Batman role, and that West was able to impassively act the part was particularly impressive when you consider that he was romping around in an embarrassingly tight superhero costume and cape.  It couldn’t have been easy being Batman, but West pulled it off — and even more remarkable, when you think about celebrities of the modern era who will do just about anything to get attention, he never dissed the show or made fun of it, even after the show had long since ended.  To the contrary, West seemed legitimately appreciative, at least publicly, that he had a chance to be a star and a hero to little kids during those long-ago days.

It’s unimaginable that a show like Batman would ever get made these days, because network executives would insist on complex characters struggling with inner demons and the violence would be much bloodier, and scarier, and deadlier, and Batman would never give Robin the kind of lectures that the Boy Wonder got back in the ’60s.  It’s understandable, I guess, but it’s too bad, too.  There’s something to be said for innocence, and a hero who thinks it’s important to mention dental hygiene now and then.

Still Astronaut Wannabes

This year, NASA set a new record for the number of applicants to its astronaut program.  18,300 people applied to join NASA’s 2017 astronaut class.  Unfortunately, the vast majority of those hopefuls will be disappointed, because NASA expects to actually select only between 8 and 14 astronauts.

When I was a kid growing up in the ’60s, every kid wanted to grow up to be an astronaut.  Of course we did!  Every time there was a rocket launch we trooped into the school auditorium to watch it, and when the rocket cleared the launchpad we cheered in support of those brave men riding in the capsule at the very tip of that pillar of flame.  In my third grade class our science project involved a life-size mock up of the Gemini capsule, covered in aluminum foil, that sat in one corner of the classroom.  From watching Walter Cronkite on TV, we knew all of the steps in the launching and recovery processes.

worldmostexpensivesuit-americanastronautcostumeSo obviously we dreamed of one day being astronauts.  Astronauts were celebrities.  Astronauts were cool — like the Beatles, except clean-cut.  Astronauts were the future.  Astronauts were leading the great national effort for America to win the “space race,” and they got to go to the White House and meet the President, too.

The days of intense national interest in rocket launches and sending a man to the moon are long behind us.  We don’t even have a space shuttle program anymore, and space flight opportunities are limited to occasional trips to the International Space Station.  But NASA is hopeful that a new era in space flight is just around the corner.  It is talking about sending a manned mission to Mars in the 2030s, private companies are increasingly getting into the space business, and the movie The Martian was a big hit that made astronauts world-wide heroes again.  Maybe the manned space program will once again come to the forefront.

I think it says something positive that more than 18,000 people applied for the astronaut program.  People still want to be part of a great effort, still want to move the frontiers forward, still want to explore.  In short, they still want to be astronauts.  Why not?  Heck, I still think it would be cool to be an astronaut.

 

On That Dallas Day

President John F. Kennedy was shot and killed 50 years ago today.  Fifty years is a long time, but in some ways the Kennedy assassination seems even more distant and remote.  So much has happened since, and so much of it has been bad.  The world is such a different place now, it is almost as if the shooting in Dallas occurred in another reality altogether.

I was a first-grader when it happened.  I remember a scratchy voice coming out of the polished wooden PA system box above the blackboard and announcing that the President had died, and our teacher shocked and sobbing.  But, of course, I was just a little kid, not quite sure who the President was, even, or what this would mean for me or my family.  Everything I know about President Kennedy — the romance of “Camelot,” the inspiring speeches, the successes, the failures, and the details of his personal life — I’ve learned since his death, with the information, always, shaped and colored by the terrible senselessness of his assassination.  The impact of his death on how his legacy was viewed in the years after his death shouldn’t surprise anyone; America lost a vigorous young President and the promise he brought with him, and the country was profoundly shaken.  Even now, half a century later, it is hard to view things with the abstract objectivity of historians.

Students of popular culture tend to put things into neat packages.  For many, the story is of a boring, stodgy America during the 1950s, followed by the short sunburst of the Kennedy years, and then a country that lost its way after bullets rained down on that Dallas motorcade.  That story, I think, is a bit too tidy and, perhaps, confuses a timeline with causation.  The ’50s were not a Norman Rockwell painting, and the Kennedy presidency was not the golden era that it was once depicted to be.  To be sure, the years after the shooting were tumultuous, with race riots, the Vietnam War, anti-war protests, more assassinations, Apollo moon landings, and profound social changes, but did the Kennedy assassination cause, or even contribute significantly, to those events?  We can safely conclude that the Apollo moon landings would not have happened but for the challenge issued by a newly elected President in 1961, and we know from that lesson and others that individual people can alter and shape the future — but how many of the signature events of the ’60s were the inevitable result of historical forces long since set in motion, bound to happen no matter who was President?

Historians will comb the record of the 1000 days of the Kennedy presidency to try to determine whether his assassination should be viewed like that of President Lincoln, whose death clearly affected the course of Reconstruction after the Civil War, or like that of Presidents Garfield and McKinley, whose killings are treated like mere eddies in the onrushing current of history.  For average Americans, the question is much more basic:  If President Kennedy had survived, would our world now be a better place?  Unfortunately, we’ll never know the answer.

The Day Schultzie Got Stuck In A Drainpipe

We were messing around in our yard on a summer Saturday when we saw it happen.  Schultzie, the McCormick’s ferocious black dachshund, had spotted a skunk and raced after it as fast as his stubby legs could carry him.

The skunk ran into a small drainpipe that ran under the road between our yard and the field beyond, and Schultzie followed without hesitation.  The skunk came out and waddled into the weeds of the field, never to be seen again.  Schultzie did not.  Keith called for him, but he didn’t come out.  We looked in one end of the drainpipe, then in the other, to see if Schultzie was close enough to grab.  He wasn’t.  We was back in the pipe, his stout weiner dog body firmly lodged back somewhere in the gloom.  We heard him, barking furiously.

We all went home to tell our parents.  Soon a crowd gathered.  The adults discussed and attempted various forms of rescue, but they all failed.  So, the adults did what adults did in the ’60s when something weird happened and there was no other apparent solution:  they called the fire department.

The fire department!  They’d never come to our neighborhood before!  That was exciting news, so the crowd clustered around one end of the drainpipe grew steadily.  The Dads decided it would be a good idea to bring over a cooler of cold beer, and maybe a bag of chips or two.  By the time the fire department got there an impromptu party had broken out, with the adults chatting happily and savoring their beers on a hot summer day and kids racing around for a better look at the fire crew and their equipment.  The trapped Schultzie, on the other hand, was largely forgotten.

The fire crew decided to try to flush Schultzie out using some kind of foam concoction.  As they prepared to do so and more beers were drained, the tension built.  The flushing went forward, the foam shot into the drainpipe . . . and soon Schultzie came jetting out the other side in a gout of foam and water, soaking wet and a bit scraped but otherwise none the worse for wear.  The mob of kids and Moms were happy that Schultzie had survived all the excitement.  The Dads, on the other hand, decided they may as well crack open another beer and discuss the fire department’s rescue technique, so they did.

It was a red-letter day on the Circle, and it was tough to sleep that night for all the excitement.  That day has always been vivid in my memory.  I thought then, and still think now:  this is what a neighborhood should be like.