Chuck Berry
There are eight Americans and two Brits in the top ten of Rolling Stone magazine’s list of the 100 greatest artists of all time
Johnny Cash
(not a definitive list, but useful for illustrating my point). What’s strange is that all the Americans entries are individuals, while the British entries are for bands. Going down the list, it’s pretty much the same, with a few exceptions. Marvin Gaye, Johnny Cash, Roy Orbison for the Americans, the Clash and the Who for the British.
Frank Sinatra
Elvis
It’s not a fluke. Anyone who’s listened to pop music from the past fifty years has probably noticed that America’s best contributions come in the forms of individuals, while British ones come in the form of bands. None of the “best American bands” we’ve discussed so far are as influential, in my opinion, as Elvis Presley or Michael Jackson. Many of America’s best bands have been dominated by a single member – Nirvana by Kurt Cobain, the Beach Boys by Brian Wilson, the Doors by Jim Morrison – while Britain’s best bands traditionally derive their brilliance from collaboration (or compromise) – the Beatles from Lennon and McCartney, the Rolling Stones from Jagger and Richards, etc.
Aretha Franklin
Stevie Wonder
The “American artists, British bands” rule applies too consistently to be dismissed as coincidence. Why is it this way?
Maybe it has something to do with America’s culture of individualism. The republican ideal of a man free to work to improve his own life has, perhaps, helped create the image of the American singer-songwriter
Bob Dylan
who blazes his own path through music. This explanation strikes me as too idealistic, however.
Bruce Springsteen
It could have something to do with America’s celebrity culture. Americans love creating personas for public figures. Maybe individual artists, with songs reflecting their own personality and values, resonate more with the American people. With more popularity, they are more likely to have successful careers that allow them more creativity. In fact, nearly all the great American musicians have personas like this. Sinatra was classy, Elvis wild but respectful, Springsteen working-class, Madonna sexual, etc. We even give them nicknames like “the Boss” and “the King.”
Michael Jackson
Prince
Another likely explanation is that, for whatever reason, America started a tradition of successful singer-songwriters that musicians imitated throughout the years. The great musicians whose pictures are in this post might have been following the model set by Chuck Berry and Little Richard, jazz greats like Miles Davis, or country legends like Woody Guthrie. In Britain, aspiring musicians would be more likely to follow the example of their country’s legends, the Beatles and the Rolling Stones.
Jay-Z
In the past thirty years rap has dominated American popular music. More than any other genre, rap is all about individualism. I wonder if this is continuing the same tradition. After all, rappers do tend to have well-known personas (usually involving a huge ego).
Edited to add: Time to Vote for your choice for Best American Band!
Justin Timberlake
Last night Kish and I and Mr. and Mrs. JV attended the Columbus Gay Men’s Chorus holiday music show. Entitled Joy! “Set the Earth Aglow,” it featured performances by the Chorus as well as Illuminati and Vox, which are two other choral groups, all backed by a piano, horn and violin sections, drums, and bells.
Screen doors creaking open and slamming shut with a bang as kids came and went and exasperated Moms said: “In or out?” Baseball cards attached to bicycle frames with a clothes pin that were strummed by the spokes of the rear wheel and made a bike sound like a motorcycle. The hum of riding lawnmowers, as the neighborhood Dads cut the grass on their acre-sized lots. The fat from cheeseburgers sizzling on hot charcoal.
Webner House 