As I’ve mentioned before, if you made a Venn diagram of Kish’s and my tastes in TV shows and movies, the areas of intersection would be a lot smaller than the untouched parts of the “Kish” and “Bob” circles. One of the genres that would be squarely on my side of the circles would be science fiction.
Until Away, that is. There have been a few sci-fi shows that Kish has tolerated, like Star Trek: Deep Space Nine, but Away is the first show I can remember that Kish actually really liked. There’s a reason for that: unlike many science fiction films and TV shows, which get caught up in technology or aliens or grim visions of humanity’s future, Away is all about the people. The plot of this Netflix show involves a five-person, multinational crew that is making a three-year voyage to Mars, but the mission also provides a structure for the backstories of the principal characters. For every depiction of weightlessness on the crew’s ship or every technological mishap the crew must deal with, there are plenty of flashbacks and lots of human drama. We liked the characters — led by Hilary Swank’s driven but tender mission leader Emma Green — and were interested in what was going to happen to them and their loved ones. More than other science fiction show we’ve seen, Away struck a very neat balance that reeled in both of us.
Of course, it being 2020, that means Away had to be cancelled this month, after just one season. We finaly find a sci-fi show that falls within the intersection part of the Venn diagram, and it is snatched away just as it is getting good! And it seems as if the healthy dollop of personal stories might be part of the reason for the cancellation: some critics felt that the show didn’t have enough of the science and technology elements that diehard sci-fi fans crave. And no doubt the cost of the show — which had a lot of “production value” and high-end special effects — had something to do with the cancellation decision, too.
We’re sad that Away was cancelled and hold out hope that some other streaming service or channel will pick it up — but even if that doesn’t happen, I’m encouraged that Away found a means of bridging that difficult sci-fi appeal gap. Away has shown it is possible, and maybe somebody will advance the ball even more next time. And if science fiction offerings can be moved from my circle to the intersecting zone of the Venn diagram, anything is possible. Who knows? Someday, someone may actually find a formula that would move period-piece melodramas from Kish’s circle to the intersection zone.